4 kk.org are uncool and change their post URLs
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A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting postthis interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frames per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frames per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frames per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

3 typo
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A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frameframes per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frame per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frames per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

2 added 17 characters in body
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A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frame per secondssecond creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frame per seconds creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

A similar transition is happening in cinema with HFR (high frame rate) films. In this interesting post photoshop creator and ILM visual effects supervisor John Knoll explains why 48 frame per second creates a "hyper real" effect which causes an "allergic" reaction in viewers as the makeup and scenery which compensated for lower quality 24 FPS is exposed for the crutch that it is:

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